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Woods announce Love Is Love North American tour & share “Bleeding Blue” via NPR

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Thu-May-18 Los Angeles, CA @ The Teragram Ballroom
Fri-May-19 San Diego, CA @ The Casbah
Sat-May-20 Fresno, CA @ Strummer’s
Sun-May-21 San Francisco, CA @ The Chapel
Wed-May-24 Vancouver, BC @ The Fox Cabaret
Thu-May-25 Victoria, BC @ Copper Owl
Fri-May-26 Seattle, WA @ Sunset Tavern
Sat-May-27 Portland, OR @ Portland Rose Festival
Fri-Jun-30 Hudson, NY @ Club Helsinki
Sun-Jul-02 Boston, MA @ Brighton Music Hall
Tue-Jul-04 Barrington, NH @ Boogle in the Barn
Wed-Jul-05 Burlington, VT @ ArtsRiot
Thu-Jul-06 Montreal, QC @ La Sala Rossa
Fri-Jul-07 Toronto, ON @ The Garrison
Mon-Jul-10 Chicago, IL @ Empty Bottle
Tue-Jul-11 Asheville, NC @ The Grey Eagle Tavern & Music Hall
Wed-Jul-12 Richmond, VA @ Strange Matter
Thu-Jul-13 Washington, DC @ Rock & Roll Hotel
Fri-Jul-14 Philadelphia, PA @ Underground Arts
Sat-Jul-15 New York, NY @ Bowery Ballroom

more info/ tickets

Listen to “Bleeding Blue” via NPR

Woods announce new album, Love is Love, due in April – listen to the title track now

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“Wisdom comes with age, so it’s no surprise that Woods have grown more sage in the twelve years since they formed, expanding from sylvan drum circles into increasingly elaborate, transcendent psychedelia.”- Pitchfork

“We walked down streets and crammed onto trains, our faces masks of fear. Unsure how to react, we, collectively, did not react. We grieved for a country and an ideal we never thought would die. We grieved for a loss of certainty.

We argued about what we thought would happen. We preached understanding. We advocated for anger. Some people said that we’d at least get some incredible art, other people said that was a small view of a world we were quickly realizing we’d misunderstood. Everyone was right. Everyone was wrong. Art made in precarious times matters as much as we let it matter.

But what are we looking for from the art we enjoy? Escapism? A reckoning with harsh reality? A temporary shared hallucination? Music can heal because it presents the pain of being human as universal.

Love is Love was written and recorded in the two months immediately following the election, but it’s not a record borne entirely of angry, knee-jerk reaction to what America is becoming. Instead, it’s a meditation on love, and on what life means now. Taking cues from last year’s City Sun Eater in the River of Light, it feels very much like a record made from living, shoulder to shoulder, in a major city: weaving psychedelic swirls of guitar between languid horns reminiscent of the best Ethiopian jazz—Love is Love is a distinctly New York record. It is a document of protest in uncertain times and an open-hearted rejection of cynicism in favor of emotional honesty. It is bright, and then, unexpectedly, a little dark sometimes too.

There will be parts of life where we will watch as events unfold and we will feel helpless. We will not be sure of the future. On good days, we’ll have each other. On the bad ones, we’ll turn to the art that helps us feel something. Love is Love is a document of the new world we live in, proof that light can come from despair and hope is still possible. We just need a little help remembering it exists.” – Sam Hockley-Smith

Recorded November – January 2017. Six new songs in 32 minutes.

Performers:

Jeremy Earl – vocals, guitars, percussion
Jarvis Taveniere – bass, guitar
Aaron Neveu – drums, percussion
John Andrews – piano, organs, wurlitzer
Alec Spiegelman – sax, flute
Cole Kamen-Green – trumpet

TOUR DATES:

Mar 20 Amsterdam, NL – Bitterzoet
Mar 21 Nijmegen, NL – Doornroosje
Mar 22 Liege, BE – Reflektor
Mar 23 Amiens, FR – La Lune des Pirates
Mar 24 Bordeaux, FR – Rock School Barbey
Mar 25 La Rochelle, FR – La Sirene
Mar 27 Paris, FR – La Maroquinerie
Mar 28 Lyon, FR – L’Epicerie Moderne
Mar 29 Geneva, CH – La Graviere
Mar 30 Dudingen, CH – Bad Bonn
Mar 31 Torino, IT – Spazio 211
April 1 Rome, IT – Monk
April 2 Ravenna, IT – Bronson
April 4 Milan, IT – Serraglio
April 5 Montpellier, FR – Victoire 2
April 6 Barcelona, ES – Apolo
April 7 Madrid, ES – Barcelo
April 8 Lisbon, PT – Musicbox

More info/ tickets

Pre-order CD/LP/CS

Pre-order from iTunes

Pre-order from Bandcamp

Listen on Spotify

John Andrews & The Yawns announce upcoming album, share first track and video

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Throughout his years of traveling, John Andrews has documented his life with his home recordings. His first record, Bit By The Fang, found him living in the amish country of Lancaster, PA. His latest record, Bad Posture finds him waving farewell to Pennsylvania & greeting the wooded hills of Barrington, NH. Sitting on top of one of these hills, coined Mt. Misery, is the colonial era farmhouse John now calls his home. This is where Bad Posture was born.

Today on Stereogum, John Andrews & The Yawns share the first track and video for “Drivers“. Bad Posture is due March 10, on Woodsist Records. Click here to pre-order the vinyl and here to pre-order the digital album.

The songs were written slowly & quietly throughout the winter, usually late at night next to the wood stove for warmth. It was recorded in his barn with the doors ajar, welcoming the springtime. The humble recording gear invites the outside noises in. You can hear the crickets chirping with the occasional truck driving by. The songs themselves lend their hand like slow backwoods Beatles demos covered in a thin blanket of tape hiss. John’s voice lulls us in an earthy calmness as he sits hunched like a scarecrow over the piano.

Andrews’ band, The Yawns, has been crystallized with staples from the New England freak scene; Rachel Neveu & Lukas Goudreault (MMOSS/Soft Eyes) & Joey Schneider. All of who have been playing up in the free country for many years themselves and all of who call the same farmhouse home.

Over the past few years John has played as a session player on records by Woods, Widowspeak, EZTV & Kevin Morby as well as composing & recording with his band Quilt. Yet, the piano compositions on Bad Posture place him as a stand-out voice with this instrument. There are guitar-bands working in a similar territory as Andrews’, yet the focus on keys in many of the songs give the album a different temperament and a unique place amidst his peers. Windmill, Homesick In Heaven & Old News are three of the album cuts that boast this specific sense of multi-instrumentality. They wink at you with a Workingman’s Dead smile. The opener and lead-single, Drivers, showcases an older & wiser Andrews’ coming to terms with a new-found independence, the overdriven guitar echoing his home-state’s slogan, live free or die. “I don’t owe you no more.” Andrews hums.

Bad Posture was mixed with headphones at the foot of Emma Critchett’s grave, who lived in the Yawns’ house during the 1800’s. The record is an ode to her & all who have lived in this house. It also paints a picture of what it feels like to live in the “free-country” on the precipice of a rapidly changing political climate. Some folks go back to the woods to escape the harsh-realities of contemporary society, for Andrews it seems like he is diving head first into nature’s unknown, searching for love in the tundras of seclusion. When the cities become boring, we hop in our vehicles and drive to those places that are always beaming with newness. Bad Posture contains the anthems that will hold us over til’ we arrive.” – Shane Butler

TOUR DATES

02/10 – Brooklyn, NY @ Baby’s All Right*
02/11 – Philadelphia, PA @ Storefront*
02/12 – Cambridge, MA @ Lily Pad*
02/13 – Portland, ME @ Apohadian Theater*
02/14 – Winooski, VT @ The Monkey Theater*
02/15 – Montreal, QC @ La Vitrola*
02/16 – Albany, NY @ House Show*
02/18 – Washington, D.C. @ Songbyrd DC*
02/19 – Asheville, NC @ The Mothlight*
02/20 – Louisville, KY @ Zanzabar*
02/21 – Chicago, IL @ Schuba’s*
02/22 – Columbus, OH @ Rumba Café*
* with Hand Habits

Hand Habits shares new track and interview with Noisey. LP out Febuary 10th!

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Read Meg’s interview with Noisey

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Hand Habits
Wildly Idle (Humble Before The Void)
Street Date: Feb. 10, 2017
Pre-order: CD / LP / Digital

“Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles – it is appropriate that this album was recorded by Meg herself – for Meg, who has an acute ear for detail, has touched every corner, has seen every vision ’til its end. Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you – a bath, and Meg’s whisper has made its way inside you. Like many bedroom-debuts before it (The Microphones, Jessica Pratt, Little Wings, Grouper) let this be the first of many to come, for Meg has music in her touch – and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; ‘hold you like a flower, hold you like an hour glass’.”- Kevin Morby

LIVE DATES:

01/18 Brooklyn, NY – Music Hall of Williamsburg *
02/10 Brooklyn, NY – Baby’s All Right #
02/11 Philadelphia, PA – Everybody Hits #
02/12 Cambridge, MA – Lily Pad #
02/13 Portland, ME – Apohadian Theatre #
02/14 Winooski, VT – The Monkey House #
02/15 Montreal, QC – La Vitrola #
02/16 Albany, NY – House Show #
02/18 Washington DC – Songbyrd DC #
02/19 Asheville, NC – The Mothlight #
02/20 Louisville, KY – Zanzabar #
02/21 Chicago, IL – Schuba’s #
02/22 Columbus, OH – Rumba Cafe #
03/14 – 03/18 Austin, TX – SXSW

* = ACLU / PP Benefit show w/ Kevin Morby, Sharon Van Etten, Beirut, Daniel Rossen
# = w/ John Andrews & The Yawns